André Renaud
Technique:
Lot n° 448
158cmx119,5cm
In assessing Colin's piano posters, his first, and by far the best, was for Wiener et Doucet in 1925 - a soft, geometrically-balanced poster. In 1927, he took the piano to further Cubist abstraction in an exquisite poster for Lisa Duncan. In 1929 he used this comfortable Cubist approach again for André Renaud, a virtuoso who could play two pianos at the same time.