Lot n° 144
32,5cmx25cm
Quatre études réalisées à l'encre de chine et représentant équilibriste, moustique, klaxon et instrument.
Un signé, un autre monogrammé.
The Church of Santissima Trinità dei Monti, Rome - black chalk, pen and two shades of brown ink, a small central blank section introduced to the right of the church façade
This drawing is closely related to Aview in Rome, an oil on canvas, dated 1632, now in the National Gallery, London (Fig. 1; Inv. 1319; M. Roethlisberger, 1979, op. cit., no. 214) although the composition differs in a few respects. Most importantly the Church of Trinità dei Monti is represented further away in the canvas which also shows the Palazzo Zuccari on the right, omitted on the present drawing. The right half of the picture, with a temple and a statue of Apollo, is imaginary.
Boats on a shore (recto); Study of a figure (verso) - black chalk, pen and brown and black ink, brown and grey wash (recto); pen and brown ink, red chalk (verso)
This drawing was probably made from life, circa 1638-40, in the harbour of Ripa Grande on the right bank of the Tiber, facing Mount Aventine, a favourite spot for the landscapists of the seventeenth- and eighteenth-centuries. On theverso Claude traced the motives of the two boats, as he did on quite a few drawings from the same period (M. Roethlisberger, Claude Lorrain, The Drawings, Berkeley and Los Angeles, 1968, nos. 201, 208, 305, 307, 422 and 482).
Lot n° 66
26,5cmx63cm
Les deux coins inférieurs recomposés. Mauvais Etat. Provenance: - Ancienne collection Cuvillier, Vente de sa veuve 1932, n°9. - Collection Dubaut. Exposition: "Chevaux et cavaliers", Galerie Charpentier, Paris 1948
Annoté « Swebach père » sur le montage Pliures verticales au centre, petite déchirure sur le bord gauche, taches, bords inférieurs rapportés présentant pliures et épidermures
