Lot n° 230
158cmx118,75cm
H. Chachoin, Paris. Condition A-: minor restored losses and repaired tears at edges; minor creases and abrasions in image. Framed.
. . In assessing Colin's piano posters, his first, and by far the best, was for Wiener et Doucet in 1925 - a soft, geometrically-balanced poster. In 1927 he took the piano to further Cubist abstraction in an exquisite poster for Lisa Duncan. In 1929 he used this comfortable Cubist approach again for André Renaud; a virtuoso who could play two pianos at the same time.
Lot n° 89
154,25cmx115,50cm
H. Chachoin, Paris. Condition B+ / B: repaired tears, restored losses, creases and overpainting in margins and image and along vertical and horizontal folds. Framed.
Lot n° 87
158,7cmx118cm
S.A. Courbet, Paris. Condition B+: repaired tears at edges, some into image and upper text; creases and minor abrasions in margins and image. Framed.
Lot n° 101 Afffiche de la " Société Lorraine des Amis des Arts Ecole de Nancy" pour "l'Exposition d'Art Décoratif Galeries Poirel du 30 Octobre au 4 Décembre 1904". 45 x 30 cm.
HUMBLOT & SIMON NANCY
